firsthand-embarrassment: I remember when Gregg was composing...
I remember when Gregg was composing shots on the set, he was always all about symmetry, wanting everything to meet up in the center and be equal on both sides. And not only is it like that aesthetically in the composition of the shots, but it’s like that narratively in that it goes back and forth between two storylines, and it’s like that in its cast of characters. (Joseph Gordon-Levitt)
Mysterious Skin (2004), dir. Gregg Araki
from Tumblr https://pendingfeels.tumblr.com/post/636072232717811712
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